Say Om While Dying (or Die to OM)

by Sharon Gannon |
April, 2012
om ity ekaksharam Brahma / vyaharan mam anusmaran
yah prayati tyajan deham / sa yati paramam gatim

If one can remember while dying to utter OM, he/she will go to the supreme goal.

Bhagavad Gita VIII.13

I was always a bit baffled by this verse in the Bhagavad Gita. I thought that Krishna would have said, “utter my name,” but instead he suggests to “utter OM” while dying. I have often heard many of my friends who are Krishna devotees say, “OM is for yogis or Vedantists,” not for Krishna bhaktas, and I have noticed that many of the Krishna mantras do not start with OM as do many of the other deity mantras. But interestingly enough, in the very next chapter, in verse 17, Krishna says, “I am the sound OM.” The sound of the Divine in its essential manifestation, is found in OM, in other words by saying OM you are saying God’s name. I think this verse is giving instruction for how to consciously pull one’s soul out of their physical body at the time of death with the potency of OM.

Krishna is known as the supreme yogi, and the best way to understand his teachings is to immerse yourself in the practices He suggests, as insight is more likely to dawn through experience. My guru Shri Brahmananda taught me to chant the bija mantras in relationship to the chakras. Because of his guidance I practice shavasana as a practice to prepare me for my own death. While lying on my back, I recite the bija mantras out loud, moving through the first six chakras, from the root (muladhara) to the third eye (ajna): LAM, VAM, RAM, YAM, HAM, OM. When I come to the sahasrara chakra I silently chant OM, and this silent chanting of OM acts as a profound launching of my awareness into an expanded reality. After that final OM there is a profound letting go of the physical body-all of the joints between the bones seem to unhinge, tension releases, and there is a feeling of great spaciousness -perhaps it is close to what I can only imagine and assume to be something like dying-my breath stops and along with it thought and sensation-I feel like I am floating bodiless-a freed spirit. This usually only lasts for a moment or so, but nonetheless it is quite extraordinary that the chanting of the bija mantras culminating in that final silent OM can facilitate an experience of kevalam kumbhaka-a spontaneous suspension of the breath and thought, classified in the Hatha Yoga Pradipika as a preliminary level of samadhi. For a short, almost timeless moment we can experience yoga-freed of all desire-feeling whole and complete, needing nothing. You don’t stop breathing in the normal sense, instead you become integrated with the breath to such an extent that there is no need to breathe, no need to grasp the breath and bring it “into you.” To be able to die with ease and a sense of direction is the definition of a good death.

Previous to that final silent OM, with each successive chanting of the bija mantras and focusing on the associated chakra and area of the body, I always feel like I am putting my life, via my body, in order. It is a “cleaning house” kind of feeling, where things that are no longer necessary are let go of and things that were out of place get put back and the “house” is more organized and spacious for it. It also prepares me for the silence of that final OM. I don’t think you can take the short cut ignoring the other chakras and mantras and just lie down and silently chant one OM and facilitate the same kind of experience. If you don’t believe me, just try it yourself. Lie down and inhale, then exhale with the sound of OM and see if the abbreviated experience is equal to the methodical process of moving up through the chakras, dropping each body part in successive order by means of the breath and mantra.

During the death process, each element leaves the body in an organized progression starting with the element of earth in the root chakra and moving upward into water, fire, air and then followed by more subtle forms of ether. The shavasana practice I describe above-the methodical process of successively moving upward consciously through means of the bija mantras-is a meditation on the dissolution of the elements that occurs naturally at the time of death to everyone, although it may occur more consciously to a yogi. This process is referred to in the previous verse in the Gita, where Krishna gives instruction by saying, “closing all the gates of the body and drawing the mind into the heart, then raise the prana into the head” (BG VIII.12). When the prana is in the higher chakras of the head, if we utter the sound of OM at that precise moment, we might be able to aim our soul’s flight out through the top of the head, the sahasrara or crown chakra, and reach our supreme goal-liberation. Shavasana, or corpse pose, can be a practice for that important moment, as the Mundaka Upanishad describes: “OM is the bow, the arrow is our own soul, Brahman is the target, the aim of the soul.”

For many practitioners of yoga, the time spent in shavasana is taken as a time to rest from the exertion of the asanas. But when the practitioner begins to investigate the significance of shavasana, he/she will realize that it provides a tangible opportunity to consciously practice dying and even to experience samadhi. When we practice dying, we can become liberated from the fear of dying, or abhinivesha, which is an obstacle to yoga, and move towards a good death and the ultimate attainment of the supreme goal, which is cosmic consciousness-maha samadhi, liberation from samsara-no need to take another birth.

Teaching Tips

BACKGROUND

I was always a bit baffled by that verse. I would have thought that coming from Krishna in the Bhagavad Gita, He would have said, “utter my name,” but instead he says “utter OM at the moment of your death.” Many of my friends who are Krishna devotees don’t put much importance on the chanting of OM and instead often I hear them say, “OM is for yogis or vedantists,” not for Krishna bhaktas. And I have noticed that many of the Krishna mantras do not start with OM as do many of the other deity mantras.

But insight dawned through experience. When I practice shavasana, OM acts as a profound launching of my awareness into, for want of a better way to say it, an expanded reality. When I am home alone practicing shavasana, I use the bija mantras. (If you are unsure of what I am referring to, please refer back to your teacher training notes, because each Jivamukti teacher is taught this during the teacher training course, or study the Chakra Balancing DVD that I made, released by Acacia videos, where I have outlined this shavasana practice.)

I say the bija mantras from root to crown… then in sahasrara chakra, when the final OM comes, it comes with a profound letting go of the body– all of the joints between the bones seem to unhinge and with that tension releases, and there is great spaciousness– it is (what I humbly assume to be) like dying– my breath stops and along with it thought and sensation– I feel like I am floating bodiless– a freed spirit. This usually only lasts for a moment or so, but nonetheless it is quite extraordinary. It is a form of kevala kumbhaka– a form of samadhi.

Previous to that final OM, with each successive chanting of the bija mantra and focusing on the associated chakra and area of the body, I always feel like I am putting my body in order. It is a “cleaning house” kind of feeling, where things that were out of place get put back and the house is more organized and spacious for it. It also prepares you for that final OM. If you don’t believe me, just try it yourself. Lie down and inhale, then exhale with the sound of OM and see if the abbreviated experience is equal to the methodical process of dropping each body part in successive order by means of the breath and mantra. What this accomplishes is a meditation on the dissolution of the elements, which is what occurs at the time of death. This process is referred to in the previous verse in the Gita, where it says: closing all the gates of the body and drawing the mind into the heart, then raise the prana into the head (BG VIII.12).

DEATH OF A STUDENT

When I was studying the Bhagavad Gita and came upon the passages in Chapter 8, which deal with death and described the best ways for a yogi to die, I was very intrigued and felt these passages were important and should be brought out and discussed. I remember the first time I started to do this was about 10 years ago, when I taught a regular meditation class once a week at the Jivamukti Yoga School Lafayette Street Location in NYC.

A few minutes before the class started, I was looking for a passage to read. I pulled the Gita down from my shelf in the office and randomly opened to the page in chapter 8 where verse 13 talks about saying OM when you die. So it was from this verse that the discussion originated that evening. A few days later, I received a telephone call from a woman who was the sister of a man who had been attending my meditation classes for the past several months. She called me to say sadly that her brother had died from a heart attack three days after they had both attended my meditation class. She felt she had to call me because, as she said, “I was with him having dinner at my apartment when it happened. It was so sudden. The next thing I knew, he was on the floor, but still quite conscious. As I knelt down next to him and cradled his head in my lap, he looked at me and said, “OM.” Shortly after that he died. You know we had both been at your class when you talked about OM, and my brother was able to remember the lesson, isn’t that extraordinary!”

Yes, indeed it was extraordinary, and an incident like that is not easy to forget. It has continued to stay with me and caused me to deeply ponder. I have been profoundly humbled by the final act of that meditation student. Teachings from Holy Scriptures are powerful; as teachers we should never doubt their strong magic, and we should handle them with care. As yoga teachers we act as spokespersons and facilitators for these ancient teachings, bringing them into the atmosphere of these modern times. The yoga teachings from the Gita and other ancient texts are living teachings; they might have been written down thousands of years ago, but they have relevance right now in our present lives. It is a great and important honor to be a teacher and to pass these teachings on to others. We must always remain humble and act as an open channel for the teachings to come through us. We also must work very hard to understand the wisdom in the teachings and to never approach the words in these Holy books as anything less than inspired revelations from masters who have gone before us and done the hard work of recording the teachings and preserving them for our benefit today.

HOW TO USE THIS FOM IN A CLASSROOM SITUATION:

The most direct way is to do a guided shavasana where you lead the students in the chanting of each bija mantra on the way up to the sahasrara chakra and the final OM, which is chanted silently. When they experience that final letting go and the deep peace that it ensures, it will be a memorable moment that they will not easily forget. Also you have taught them something that they can “take home” with them and use on their own, any time. In fact, maybe even at the time of their own “real” death.

As teachers we are always talking about yoga being the means to samadhi. When you can actually facilitate an experience of samadhi in the form of kevala kumbhaka for the students, you are really guiding them into a deep and profound inner experience, which is the authentic experience of yoga. Yoga means Samadhi.

PREPARATION FOR SHAVASANA

To make certain they are able to experience that deep release, it might be helpful to instruct them first to contract and tense all the muscles in the body and hold for a moment and then drop, let go… then start your guided shavasana. Or you might instruct them first to silently say “Hari” on an inhale, while drawing the energy up from the muladhara (root) chakra into the anahata (heart) chakra and then silently say “OM” as they exhale, propelling the energy from the heart up through the vishuddha (throat) and ajna (third eye) chakras and out of the body through the top of the head (the sahasrara chakra).

MUSIC DURING SHAVASANA

Perhaps you may want to refrain from using recorded music and allow a silent ambiance in the room. But if you choose to play music during shavasana, my suggestion is that it should be instrumental and very quiet. Electronic, spacious type of music without drums or percussion can work. I have found that Bilateral Alignment by composer Frank Natale works really well for this type of guided shavasana. Also I would think that a meditative tamboura drone would also work nicely.